Significance of Pattern Composition on the Carnival Calabar King and Queen Costumes

Margaret G. Akpan

Abstract


The term ‘pattern’ involves decorative designing. It is a common principle of design used in textiles to reinforce and enhance the fabrics with different visual sensations that help to stimulate interest, provide visual enrichment and enjoyment, and communicate thoughts through symbols. In patterning, surfaces are vitalized with rich variety of symbols to captivate the eyes; whether large or small, the intricate patterns contribute to the richness of a surface appearance. The focus of this paper is on the significance of the patterns and symbols used in the design of the Seagull Band Junior and Senior King and Queen Costumes for the 2013 Carnival Calabar. To achieve this, the theme ‘ain’t no stopping us’ was interpreted to include the ‘Achiever’ as the junior king, ‘Bliss’ as the junior queen, ‘Genius’ as the senior king, and ‘Creativity’ as the senior queen. Costumes were designed and constructed by a team of experts with appropriate patterns and symbols to give credence to character. These costumes were used for the king and queen competitions in both the junior and senior categories. The competition was assessed by an international panel of judges. The judges adjudged the costumes and the interpretation of their patterns as best depictions of the theme in all categories of the competition. The paper reiterates that the conscious use of appropriate patterns and symbols in costume design can achieve a certain effect vis-à-vis that of enhancing the character during theatrical performances.

Keywords: Carnival Calabar; Costume Design; Patterns; Symbols; Characterization


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